Linguistic resources: Students will be expected to read and interpret information in the target language, and will also need to repond in the target language.
Rationale: This exercise is intended to contextualize the second theme. Students are being asked to continue with their investigation of People, Practices, and Places in the process of Learning Why
DAY 4: Step 1 (30 Minutes)

Students should complete Exercise 5 in class or for homework:

Exercise 5. Exploring Linguistic Features of AAVE: Match the Linguistic feature of AAVE on the left with a sample of its usage on the right. Note that these features are prevalent, but not absolute in real speech.

1. Realization of final [ng] sound as the [n] sound in words with two or more syllables

2. Copula deletion in sentences and questions

3. Variant forms of be verb to mark aspect.

4. Negation agreement, such that if the sentence is negative, all negatable forms are negated.

5.Present-tense verbs are uninflected for person: there is no -s ending in the present tense third person singular.

6. There is no -s ending indicating possession—the genitive relies on adjacency.

A. That's my sister car.

B. He write rap music.

C. She was thinkin' of going to school.

D. I was working on a project.

E. He sleeping.

F. Without help, it is hard to learn gynmastics.

G. He be at work.

F. I didn't go nowhere

Click Here for Answers
Linguistic resources: Students will be relying on their knowledge of grammar forms and related information, both in their target and native languages.
Rationale: This exercise is intended to provide students with an opening activity for investigating the linguistic features of AAVE. This is a neccessity if students are to recognize and understand speakers of AAVE.
DAY 4: Step 2 (30 Minutes)

Students should be made aware of the many issues associated with AAVE. Students should be made to understand that AAVE is a language spoken by a subset of the larger African American community; that it is a language that appears frequently in popular media, especially rap music; and that Americans hold various opinions about the "acceptibilty" of such speech. Students will examine a quote from an American who is against the use of AAVE by African Americans as well as information about the "Ebonics" debate, and will use a document produced by the LSA, which argues for its recognition.

Provide students with the following information:

Read the following quote concerning the use of AAVE, or provide the quote for students:

"We’ve got to go in there. Just forget telling your child to go to the Peace Corps. It’s right around the corner. It’s standing on the corner. It can’t speak English. It doesn’t want to speak English. I can’t even talk the way these people talk. 'Why you ain’t where you is go, ra,' I don’t know who these people are. And I blamed the kid until I heard the mother talk. Then I heard the father talk. This is all in the house. You used to talk a certain way on the corner and you got into the house and switched to English. Everybody knows it’s important to speak English except these knuckleheads. You can’t land a plane with 'why you ain’t…' You can’t be a doctor with that kind of crap coming out of your mouth. There is no Bible that has that kind of language. Where did these people get the idea that they’re moving ahead on this."
(This is a quote from Bill Cosby, an African American comedian, actor, and producer who was the first black American to star in a television series.)

Exercise 6. Informing Opinions: Think about the preceding quote and information answer two of the following questions.

1. What is Bill Cosby's overall position on AAVE as expressed in this quote?

2. Does Bill Cosby make any points that you agree with or disagree with and why?

3. Do you think that speaking a dialect can be a barrier for a student? Why or why not?

4. In your opinion, should everyone in America speak the same way? Why or why not?

Linguistic resources: Students will be using their knowledge of spoken English.
Rationale: Students are being asked to to consider the behavior of an American in the context of a culturally relevant critical debate about language. In the process, they are being asked to identify C1 and C2 practices, perspectices, and people by testing their own reactions against both cultural landscapes.
DAY 5: Step 1 (30 Minutes)

(Drafted by JRR and modified by Exec Cttee Jan 2, 1997; approved in amended form at LSA Business meeting, Chicago, Jan 3, 1997)

Whereas there has been a great deal of discussion in the media and among the American public about the l8 December l996 decision of the Oakland School Board to recognize the language variety spoken by many African American students and to take it into account in teaching Standard English, the Linguistic Society of America, as a society of scholars engaged in the scientific study of language, hereby resolves to make it known that:

a. The variety known as "Ebonics," "African American Vernacular English" (AAVE), and "Vernacular Black English" and by other names is systematic and rule-governed like all natural speech varieties. In fact, all human linguistic systems--spoken, signed, and written-- are fundamentally regular. The systematic and expressive nature of the grammar and pronunciation patterns of the African American vernacular has been established by numerous scientific studies over the past thirty years. Characterizations of Ebonics as "slang," "mutant," " lazy," "defective," "ungrammatical," or "broken English" are incorrect and demeaning.

b. The distinction between "languages" and "dialects" is usually made more on social and political grounds than on purely linguistic ones. For example, different varieties of Chinese are popularly regarded as "dialects," though their speakers cannot understand each other, but speakers of Swedish and Norwegian, which are regarded as separate "languages," generally understand each other. What is important from a linguistic and educational point of view is not whether AAVE is called a "language" or a "dialect" but rather that its systematicity be recognized.

c. As affirmed in the LSA Statement of Language Rights (June l996), there are individual and group benefits to maintaining vernacular speech varieties and there are scientific and human advantages to linguistic diversity. For those living in the United States there are also benefits in acquiring Standard English and resources should be made available to all who aspire to mastery of Standard English. The Oakland School Board's commitment to helping students master Standard English is commendable.

d. There is evidence from Sweden, the US, and other countries that speakers of other varieties can be aided in their learning of the standard variety by pedagogical approaches which recognize the legitimacy of the other varieties of a language. From this perspective, the Oakland School Board's decision to recognize the vernacular of African American students in teaching them Standard English is linguistically and pedagogically sound.

Chicago, Illinois
January l997

Students will be asked to respond to an official statement of position declared by the LSA on AAVE. They should be made aware of the nature of official documents such as this, and should be encouraged to note linguistic features that are unfamiliar to them.

Linguistics Society of America (LSA) Resolution on the Oakland "Ebonics" Issue
(A hyperlink to this page can be found by clicking here)

DAY 5: Step 1 (30 Minutes)
Students will be asked to demonstrate awareness of target language and culture in relation to the themes of this instructional sequence. Students would be asked to work in pairs if possible, and should submit the response to the instructor.

Exercise 7: Integration Write a response to the following question.

Imagine you are are the moderator of a discussion between RZA and Bill Cosby on the use of AAVE in schools. What would each have to say about the issue? What, if anything, would you contribute to the conversation?

Linguistic resources: Students will be using all of their C1/C2 and L1/L2 resources.
Rationale: Students are expected to produce a coherent statement about the themes in question by shifting between at least two opposing perspectives of the target culture. If effective, students wil lhave learned about, how, why, and about oneself.
DAY 1 | DAY 2 | DAY 3 | DAY 4 | DAY 5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Darrell Penta
Teaching Demonstration

Apling 612
April, 2006
Topic: African American Vernacular English
Theme 1: African Americans and speakers of African American Vernacular English (AAVE) in U.S. popular culture, specifically music
Theme 2: The debate on AAVE in American Schools
Class: Intermediate/Advanced American English
Students: Young adults (17 years old) and older, any ethnicity, any school setting

Rationale
Goals/:

I believe culture can be defined as any non-physiological parameter that determines how the speakers of a language community (whether geo-politically or ethnically oriented) arrive at a mutual understanding when communicating; it includes both reference to and the referents of people, places, attitudes, beliefs, behaviors, products, systems, and entities that retain meaning for the language community's members. To be communicatively competent in a language community as a non-native speaker, one must learn not only the language, but also the culture with which it is associated. That is to say, without knowledge of important cultural features, learners of a second language may find it impossible to fully generate or comprehend the language of native speakers.

Despite the diversity of language communities in the United States, English has always held status as the unofficial "official" language. However, not all varieties of English are given equal favor. In fact, the variety of English known as African-American Vernacular English (AAVE, Black English, African American Language, Ebonics) and the population of African Americans that speak this variety have consistently been stigmatized by individuals, institutions, policy-makers, and the media. As a white, working-class American, I was acculturated to believe that African-American English was nothing more than a slang-filled misappropriation of “good” English, and that its speakers were by definition uneducated. I have sought to develop a greater understanding of how and why this stereotype is perpetuated, and I have attempted to design a lesson that will challenge its legitimacy by unfolding it, as it were, in light of important information.

Since the early 90s, rap music (which is associated with AAVE) has achieved great popularity in America, shaping contemporary art, music, film, fashion, and language, and generating extensive public discourse as a result. I believe that a modern student of American English must be made aware of this variety of English; furthermore, I believe that this student must also be made aware of criticial of socio-historical specificities related to the American experience comprising African Americans. By using rap music as a point of reference, the instructor of this lesson is able to address multiple linguistic and cultural issues, which I believe offer numerous opportunities for students' intellectual and emotional growth.

There are many potential problems for learners with respect to this lesson. Students will need to have at least an intermediate acquisition of English, and should be mature enough to consider complex issues. Students will need to be made aware that the realia in question may offend them in some way; of course, they should also be reassured that their own opinions and beliefs will be respected and tolerated. In addition, it needs to be said that my topic can only be explored to a limited degree. For example, it is impossible to say how many speakers of AAVE there are in America, not all African Americans speak AAVE, and the related issues of racism and social stratification are too large to be covered entirely in a single lesson plan. Furthermore, while I have attempted to design activities that are accessible to diverse learners, the work may be slightly more demanding that what is expected/allowed in foreign language classrooms. This instructional sequence is intended to be presented in one week (five one-hour classes). It can be modified to cover longer periods of time, but should not be covered in less than a week.

 


My general goals are as follows:

1. Provide a multitude of realia related to my themes in a systematic way; provide sequenced learning suggestions based on realia.
2. Guide students in identifying learning objectives of interest to them; provide opportunities for reflecting upon and speaking about both the target and native languages/cultures.

My specific goals for this instructional sequence are as follows:

1. Present sounds and images of and information about African Americans in relation to music and popular media, especially those speakers of AAVE; students recognize and identify features of the language and culture;
2. Provide activities for description, reflection, analysis, and language production; students begin to explore their first impressions, feelings, and learning goals about the themes;
3. Present sounds and images of and information about the debate/laws pertaining to AAVE in public school settings; students engage with features of the language and culture thorough a more thorough analysis of linguistic and cultural features;
4. Provide activities for greater description, reflection, analysis, and language production; students evaluate both the target language and culture as well as their own impressions, feelings, and learning goals.

Materials:

1. Audio/Transcript-The Wu-Tang Clan, Excerpt from "I Can't Go To Sleep," The W. 2000.
2. Linguistics Society of America (LSA) Resolution on the Oakland "Ebonics" Issue (Drafted by JRR and modified by Exec Cttee Jan 2, 1997; approved Chicago, Jan 3, 1997) -published statement
3. Exercise sheets- teacher created
4. Students will be asked to provide some repsonses in a journal, which the instuctor will collect and in which he or she will provide feedback.
**This Web-site contains all of the materials needed for this lesson. It has been designed in such a way that it could be easily adapted for direct use by students. If an instuctor were unable to access this web-site, all materials could be converted to paper, CD, or other medium.

THEME 1: African Americans and speakers of African American Vernacular English (AAVE) in U.S. popular culture, specifically music
DAY 1:
Step 1 (5 minutes)

Ask students the following questions, and encourage them to write their responses in their journal for about five minutes or so.

1. Can you think of any music/Do you personally like "topical" music that deals with social issues or historical events?
2. Do you have any thoughts about American music? If you have never heard American music, can you imagine what topics might be dealt with?

DAY 1:
Step 2 (25 minutes)

Explain to students that they will be listening to an excerpt from a song. Provide them with the following information before playing the song:

First, they will be asked to simply listen to the clip, which should be played multiple times.To play the music, click on the image or the world "play" below. Then, they will proceed to Exercises 1.

Linguistic resources: Students will be using the all target language skills that they have developed up to this point.
Rationale: Students are given a modest amount of culture specific information about People, Products, Practices of the target language--especially about a user of AAVE in the media, which is intended to help them make connections between these things while listening to the song. (Learning About)

-The Wu-Tang Clan, Excerpt from "I Can't Go To Sleep," The W. 2000.
Exercise 1. Music and Society: Students should be encouraged to respond to the following questions in their journals for a few minutes; a discussion based on these questions and on their notes/responses should also be encouraged.

1. Does this music sound familiar/unfamiliar to you? Can you say what aspects are familiar/unfamiliar?

2. Even if you don't understand what is being said, do you have any thoughts about what emotion RZA is feeling?

3. Imagine some of the things RZA could be talking about.

Linguistic resources: Students will be using the target language (especially verbal) to express their responses.
Rationale: By now students will be making some comparisons between their own cultural knowledge and the target phenomenon to which they have been exposed (Learning About, Learning About Oneself); students are being asked to imagine what the target language user is doing and feeling (Perspectives)
____________________________________________________
DAY 1:
Students will be given a copy of the song lyrics, and will have an opportunity to hear the song clip again. The remainder of the class should be used for discussion, or in completion of Exercise 2, which could also be used as homework.
Exercise 2. Exploring Language: Take a look at the following lyrics. On the lines provided, write down the words that you do not recognize, phrases that are unfamiliar, or personal reflections
Step 3 (30 minutes)
I can't go to sleep, I can't shut my eyes.
___________________________________________________________
They shot them father in his mom's building seven times;
________________________________________________
They shot Malcolm in the chest front of his little seeds;
________________________________________________
Jesse watched as they shot King on the balcony;
__________________________________________________
Exported Marcus Garvey 'cause he tried to spark us
__________________________________________________
with the knowledge of ourselves, and our forefathers.
__________________________________________________
Linguistic resources: Students should be allowed to write their first journal responses in their native language, but target language writing would be acceptable.
Rationale: This is intended to "activate" the students: it is an opportunity for them to conceptualize the overarching schemas of music in society, in their lives, etc.; it is an opportunity for them to privately identify ideas about American music; (Knowing About)
Oh Jacqueline she heard the rifle shots cracklin
__________________________________________________
(Her husband head in her hand), you tried to put it back in!
_____________________________________________
America's watching blood stained ink blotches;
______________________________________________________
Medgar took one to the skull for integrating college.
__________________________________________________
What's the science? Somebody? This is trick knowledge!
____________________________________________
They try to keep us enslaved and still slave our dollars.
____________________________________________
Walkin through Park Hill, drunk as a [expletive removed]
____________________________________________
Lookin around like, (These Devils!) I'm ready to break this world down!
______________________________________
They got me trapped up in a metal gate, just stressed out with hate
______________________________________
And just, give me no time to relax, and use my mind to meditate.
________________________________________
What should I do? Grab a blunt or a brew?
_____________________________________________________
Grab a two-two and run out there pitch this [expletive removed] violence to you?
________________________________________
I can't go to sleep, I can't shut 'em son.. I..
DAY 2: Step 1 (60 minutes)
Linguistic resources: Students will be analyzing the target language in its new context; they will need to access their existing knowledge of American cultural in order to begin interpretation.
Rationale: The intention of this exercise is introduce AAVE in the context of a popular song. They will have an opportunity to consider features of the language, the topic of the song, or which ever aspect they are most drawn to. (Knowing about)

Exercise 3: Student Writing: Students will be given infromation about various culture-specific references in the song (To see such information, click any underlined word or phrase below). Using information gathered from Exercise 2 and 3, students will be asked to identify any aspect of the song about which they are curious.Ample time should be given for in-class discussion and questions. The following questions can be adapted for this exercise, and be used as a homework assignment:

1. Locate one area of this song that you would like to learn more about. Prepare a list of ten questions or statements to share with your classmates.

2. Find another example of American music or music from your own culture that you would like to compare to this. Be prepared to explain what you find similar or different.

3.Write a song/poem/or rap in the target language on any topic that your find interesting.

4. Write a letter to RZA. What would you like to know, or what would you like to tell him?

I can't go to sleep, I can't shut my eyes
They shot them father in his mom's building seven times;
They shot Malcolm in the chest front of his little seeds;
Jesse watched as they shot King on the balcony;
Exported Marcus Garvey 'cause he tried to spark us
with the knowledge of ourselves, and our forefathers
Oh Jacqueline she heard the rifle shots cracklin
(Her husband head in her hand), you tried to put it back in!
America's watching blood stained ink blotches;
Medgar took one to the skull for integrating college.
What's the science? Somebody? This is trick knowledge!
They try to keep us enslaved and still slave our dollars
Walkin through Park Hill, drunk as a [Expletive removed]
Lookin around like, (These Devils!) I'm ready to break this world down!
They got me trapped up in a metal gate, just stressed out with hate
And just give me no time to relax, and use my mind to meditate.
What should I do? Grab a blunt or a brew?
Grab a two-two and run out there pitch this [Expletive removed] to you?
I can't go to sleep, I can't shut 'em son.. I.

 

 
Linguistic resources: Students will be using the target langauge to interpret the phenomenon and other cultul People, Places, Practives, and Perspectives. They will likely be exposed to new information (both cultural and linguistic) and support should be offered.
Rationale: The intention of this exercise is focus students interest on the theme. Giving students an opportunity to engage with different elements of the target culture and language creates an opportunity for the student to learn About How, Why, and Oneself.
DAY 3: Step 1 (30 minutes)
Introduce students to vocabulary and concepts related to the theme. Ask suggested questions if appropriate. On the board, encourage students to suggest information about each item based on their research and on their knowledge of their own culture.
dialect, variation (Are there dialects in your native language?)
stigmatization (Are there dialects or ways of speaking in your native language that are stigmatized?)
Racism (Are people of every skin color treated the same in your culture?)
poverty (Who experiences poverty? Is there poverty in your culture?)
emancipation (What does it mean to be freed from slavery?)

Linguistic resources: Students will need to rely upon their own L1 and C1 to consider the L2 and C2 vocabulary in the new context; they will also need some metalinguistic awareness as they begin to consider the social functions of language.
Rationale: The intention of this exercise is get students to move from learning about, learning how, learning why, and learning about oneself in both a culture general and a culture specific context. It will be a stepping off point for an introduction for Theme 2.

Theme 2: The debate on AAVE in American Schools

What is the poverty rate of African Americans?
a. 7%
b. 13%
c. 24%

Answer:
DAY 3: Step 2 (30 Minutes)
By now students should be introduced to the demographic in which speakers of AAVE are represented. They should encouraged to think about the connection between stigmatization and language use. Initally students will be asked to complete the following quiz. Based on their responses, the instructor should
use the follow-up questions to generate discussion.
How many African Americans live in the United States:
a. 12.5 Million (4.5% of US Population)
b. 37.1 Million (13 % of US Population)
c. 95.2 Million (33% of US Population)

Answer:

Which U.S. city has the largest African American urban population with 2 million residents?
a. Los Angeles, California
b. Dallas, Texas
c. New York, New York

Answer:

What percentage of African Americans live in the U.S. South?
a.25%
b.40%
c.55%

Answer:
Exercise 4. Investigating: Complete the following question set. If you do not know the answer, take a guess. Compare your answers to the student next to you. (To see the correct answer, click "Answer")
According to the latest 2004 U.S. Census Bureau statistics:

Follow-Up Questions. Ask and answer in class.
1. Did these statistics provide you with any useful or interesting insights? What other peices of information would you like to know?

2.Given what you have learned about current demographics, does the context of RZA song become clearer to you? What kinds of connections can you make between the numbers above and the song lyrics, or to assignment 3?

3. Many people represented by these statistics, as well as many other African Americans (including RZA) speak a "dialect" of English called AAVE. This dialect is frequently stigmatized, and is discouraged in schools and other civic settings. Are there any dialects of your native language that are stigmatized?